Peut-être s’est-il vu dans le miroir qu’il se tendait à lui-même dans son film précédent, Hugo Cabret. Peut-être a-t-il pris conscience qu’il n’était pas l’enfant génie gambadant dans les coulisses de la Gare du nord, émerveillé par le XXème siècle commençant et la magie du septième art, mais le vieux maître standing ovationné à la fin du film. Dans toutes ses interviews à l’époque, Noël 2011, Martin Scorsese insistait pourtant sur son identification personnelle avec le petit Hugo, le gamin aux yeux écarquillés. Mais l’évidence de ses soixante-dix ans passés autorisaient à considérer que son alter ego à l’écran était plutôt George Méliès, le vieux pépé grognon ayant épuisé tous ses tours, son enthousiasme et sa capacité à créer, mais enfin reconnu à son juste niveau après de longues années de frustration une allusion consciente ou non à son Oscar tardif pour Les Infiltrés, pourtant l’un de ses moins bons films. Au XXIè siècle, le cinéma de Scorsese était devenu un musée, une collection d’images fantômes et de statues de cire. L’homme ayant atteint un statut de Dieu vivant intouchable, on pouvait entendre le chœur médiatique vanter les mérites de chacun de ses films et comptabiliser les chiffres au box-office, dix fois supérieurs dans la période DiCaprio à ce qu’ils avaient pu être dans les années 70-80, les années Taxi Driver, les années Raging Bull, les années De Niro. Les admirateurs ronronnaient comme des chats contents. Le cinéma de Martin Scorsese ronronnait, lui, comme au ralenti, tout content de lui. Et puis, dans son miroir, il a vu. Vu qu’il n’était plus la plus belle. Il lui fallait réagir. Si Hugo Cabret a donc fait office de piqûre de rappel pour le cinéaste, Le Loup de Wall Street est un shoot géant à destination de son public. Le système Scorsese » avait culminé dans Casino, en 1995 ? Le Loup se propose de considérer tous les films qui ont suivi sept longs-métrages, de Kundun à Hugo comme une parenthèse molle du genou. Guidé par un script stupéfiant de Terence Winter ancien de la maison Soprano, aujourd’hui show runner de la série Boardwalk Empire et par l’autobio non moins stupéfiante de l’ex-trader carnassier Jordan Belfort, Scorsese lance DiCaprio dans un one man show cartoonesque délirant, quelque chose comme la séquence culte sous drogue des Affranchis étendue sur près de trois heures. Bien sûr, tout ce petit monde-là, réalisateur inclus, a parfaitement conscience de faire du Scorsese. » Mais outre qu’on ne risque pas de s’en plaindre, le film fonctionne comme un morceau de bravoure perpétuel, une frénésie de cul, de drogue, de pipes, de bites, d’avidité, d’argent obscène littéralement jeté à la poubelle, de lancers de nains, de partouzes dégénérées au service d’une charge satirique décomplexée contre l’argent roi des 80’s et d’aujourd’hui et contre les créatures caligulesques qui sacrifient à son culte obscène. Sans doute parce qu’il est lui-même passé par une période putes, drogues & cinéma à la fin des années 70, Scorsese montre ça avec une espèce d’horreur jubilatoire ou de jubilation horrifique, un doigt sur la gâchette de la morale puritaine, mais le nez dans la poudre et la luxure, un sourire gargantuesque sur le visage. De son côté, après quinze ans de rôles renfrognés, de front plissé et de sourcils froncés, Di Caprio explose sur l’écran dans un rôle d’histrion frénétique, drivant le film non stop, en faisant bien attention à rester continuellement dans le rouge. Alors mieux que les Affranchis ? Aussi bien que Casino ? La question ne se pose pas en ces termes. Là où ces films étaient ouvertement fascinés par leur sujet, amoureux de leurs personnages de gangsters glam, Le Loup de Wall Street se présente comme un jeu de massacre sans retour, sans recours, sans rédemption ni circonstances atténuantes, une sorte d’appel à la haine sociale contre les requins sans foi ni loi qui passent le film et leurs vies à s’en mettre partout plein les poches, plein le pif, plein les yeux, plein le cul. Pas goodfellas, » badfellas » des sales types. Et un vrai grand film.

Titre original Cleveland Versus Wall Street Mais mit dä Bänkler Date de sortie 18 août 2010 Durée 98 mn Réalisé par Jean-Stéphane Bron Scénaristes Jean-Stéphane Bron Distributeur Les Films du Losange Année de production 2010 Pays de production France, Suisse Genre Film documentaire Couleur Couleur Synopsis Le 11 janvier 2008, Josh Cohen et ses associés, avocats de la ville de Cleveland, assignent en justice les 21 banques qu’ils jugent responsables des saisies immobilières qui dévastent leur ville. Mais les banques de Wall street qu’ils attaquent s’opposent par tous les moyens à l’ouverture d’une procédure. Cleveland vs Wall Street raconte l’histoire d’un procès qui aurait dû avoir lieu. Un procès de cinéma, dont l’histoire, les protagonistes et leurs témoignages sont bien réels...Ce film est présenté dans le cadre de la Quinzaine des Réalisateurs 2010. Offres VOD de Cleveland contre Wall Street Toutes les séances de Cleveland contre Wall Street Critiques de Cleveland contre Wall Street Au fil des témoignages, le procès passe en revue tous les aspects humains et techniques de la crise, et l'intérêt croît avec l'importance des intervenants - le plus effrayant étant un économiste partisan de la dérégulation. Si le fond est irréprochable, on peut déplorer la pauvreté de l'image, filmée avec un vieux Caméscope et parfois à travers le pare-brise même pas nettoyé d'une voiture traversant des banlieues fantômes. Dernières News sur Cleveland contre Wall Street

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^{HBO’s new series “Watchmen” opens with scenes of a race massacre in Oklahoma Black people shot in cold blood. Black people fleeing businesses on fire. Airplanes flying low and dropping bombs. A newspaper lying amid the burning rubble in the street with the headline “Lynch Negro.”The horrific scene seems like a work of Hollywood creative fiction in some alternate the carnage actually happened nearly a century ago when a white mob in Tulsa descended on Greenwood, a black business district so prosperous it was dubbed “Black Wall Street.”The Tulsa race massacre began May 31, 1921, when a white mob set fire to hundreds of black-owned businesses and homes. Historians believe as many as 300 people were killed. More than 10,000 black residents were left homeless, and as many as 40 blocks were left new “Watchmen” series is set in Tulsa. That move might seem unexpected, unless you know Oklahoma’s troubled history of racial violence. Video The Washington PostBlack men, women and children who survived were rounded up and detained in camps at the city’s fairgrounds. Survivors of the massacre recounted seeing the bodies of black people loaded onto trains and dumped off bridges into the muddy Arkansas River. Witnesses reported seeing bodies tossed into mass the city is investigating whether those mass graves exist using ground-penetrating nearly 100 years, the truth of what happened in Tulsa was kept out of textbooks and only whispered about among survivors. “Watchmen” will be the first time many people will learn about the so many tweets that Watchmen was the first time they heard about Black Wall Street and had no idea that our opening depicted the Tulsa Massacre which had not been taught in US history classes made me want to post this post from The Post Regina King ReginaKing October 21, 2019 The violence started unfolding the afternoon of May 30, 1921, when “Dick” Rowland, a 19-year-old black man working as a shoe shiner, walked into the Drexel Building in downtown Tulsa. The city was still fiercely segregated, and the Drexel Building had the only toilet in downtown available to black stepped into an elevator on the first floor. By the time the elevator doors opened on the third floor, someone heard the white elevator operator, Sarah Page, shriek.“While it is still uncertain as to precisely what happened in the Drexel Building on May 30, 1921, the most common explanation is that Rowland stepped on Page’s foot as he entered the elevator, causing her to scream,” the Oklahoma Historical Society was taken into Tulsa Tribune newspaper published a story with the headline “Nab Negro for Attacking Girl in Elevator” and ran an ominous editorial “To Lynch Negro Tonight.”A white mob gathered outside the Tulsa County Courthouse, where Rowland had been jailed. The mob demanded that the sheriff turn over Rowland, but the sheriff of black men, including World War I veterans, heard of Rowland’s arrest and rushed to the courthouse to protect him. A struggle ensued. A shot was fired. Then hundreds of white people marched on Greenwood in a murderous massacre had begun.“Over the next six hours, Tulsa was plunged into chaos as angry whites, frustrated over the failed lynching, began to vent their rage at African Americans in general,” according to the Oklahoma Historical Society.“Furious fighting erupted along the Frisco railroad tracks, where black defenders were able to hold off members of the white mob.”An unarmed black man was slain inside one of Greenwood’s theaters. “Carloads of armed whites began making drive-by’ shootings in black residential neighborhoods,” according to the historical society. “By midnight, fires had been set along the edge of the African American commercial district. In some of the city’s all-night cafes, whites began to organize for a dawn invasion of Greenwood.”White city police officer “deputized” members of the lynch mob and “instructed them to get a gun and get a n-,” according to the Oklahoma Historical were reports that white men flew airplanes above Greenwood, dropping kerosene bombs. “Tulsa was likely the first city” in the United States “to be bombed from the air,” according to a 2001 report by the Oklahoma Commission to Study the Tulsa Race Riot of Franklin, a Greenwood lawyer and the father of renowned historian John Hope Franklin, wrote a rare firsthand account of the massacre later donated to the National Museum of African American History and Culture.“The sidewalk was literally covered with burning turpentine balls,” he wrote. “For fully forty-eight hours, the fires raged and burned everything in its path and it left nothing but ashes and burned safes and trunks and the like that were stored in beautiful houses and businesses.”“They tried to kill all the black folks they could see,” a survivor, George Monroe, recalled in the 1999 documentary “The Night Tulsa Burned.”On June 1, 1921, martial law was declared. Troops rounded up black men, women and children and detained them for days in camps in the many years, few people in Tulsa spoke about what happened. The massacre, often called the Tulsa race riot, was deliberately kept out of wasn’t until 1998 that officials in Oklahoma began investigating the claims of mass graves. Investigators used electromagnetic induction and ground-penetrating radar to search for evidence at Newblock Park, which operated as a dump in 1921, and at Booker T. Washington Cemetery and Oaklawn each site, they found anomalies “that merited further investigation,” according to the commission’s report. Then in 1999, a white man named Clyde Eddy, who was 10 at the time of the massacre, came forward and told officials he was playing in Oaklawn Cemetery in 1921 when he spotted white men digging a trench. When the men left, Eddy said, he peeked inside the wooden crates and saw corpses of black on Eddy’s story, state archaeologists began investigating the section of the cemetery Eddy cited. The effort was led by Clyde Snow, one of the world’s foremost forensic anthropologists who helped identify Nazi war criminals and had determined that more than 200 victims found in a mass grave in Yugoslavia had been killed in an “execution-style act of ethnic cleansing,” according to his obituary in The Post. Snow traveled the world as a human rights expert, searching for people who had disappeared in atrocities and ground-penetrating radar, they made a dramatic discovery an anomaly bearing “all the characteristics of a dug pit or trench with vertical walls and an undefined object within the approximate center of the feature,” the commission concluded. “With Mr. Eddy’s testimony, this trench-like feature takes on the properties of a mass grave.”The commission recommended excavation of the potential mass graves. But city officials decided not to dig for physical case seemed closed until last 2018, Tulsa Mayor Bynum R announced he would reopen the investigation into mass graves, calling it a murder investigation. The announcement came days after a Washington Post story detailed unresolved questions surrounding the this month, scientists and forensic anthropologists armed with ground-penetrating radar began scanning the grounds of Tulsa’s Oaklawn Cemetery, looking for anomalies that might be consistent with mass graves. The cemetery, which is owned by the city, is just a few blocks from Black Wall week, the city expanded its search to include other areas in Oaklawn Cemetery that were identified by survivors and descendants of white addition to Oaklawn Cemetery, the city said, it would use ground-penetrating radar to investigate Newblock Park and Rolling Oaks Memorial Gardens, which was once known as Booker T. Washington city hopes to finish the investigation by December or the city finds evidence of mass graves, city officials and an oversight committee will decide whether to excavate. The Oklahoma medical examiner’s office would lead the investigation into determining the cause of more Retropolis}

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Programme TV /Le loup de Wall StreetDisponible dans une option payanteFilms - Comédies dramatiquesNon diffusé en ce moment à la télévisionFilms - Comédies dramatiquesAu début des années 1990, un trader amasse énormément d'argent, flambe beaucoup, tombe dans la drogue avant que ses activités n'attirent l'attention du début des années 1990, un trader amasse énormément d'argent, flambe beaucoup, tombe dans la drogue avant que ses activités n'attirent l'attention du Molotov pour regarder la TV diffusé en ce moment à la télévision

Onstreaming, download, online or in all good record shops! Read More. Legacy of the Beast - The Game. Available for free, for Android and iOS devices. Play the game that inspired the the game. Read More. Latest News View All. Aug 6th, 2022 MAIDEN RETURNS TO WACKEN IN 2023 "Scream for me, Wacken!“ Read More. Jul 26th, 2022 ^{You are using an offline version. {{ }} New Posts Available} qATm.